SCULPTEUR DU TEMPS
JÖRG BRÄUER SOLO EXHIBITION AT LES MARTINS – COGNAC / CHARENTE, 2018
Asperity – Silent path nº3, Islandiya, 2017
Acrylic and mixed media over photograph on wood panel
Painter, photographer, Jörg Bräuer uses his camera to seize the moment which presents
how he sees the world.
For him, the gnarled vine emerging from the nourishing earth becomes the reflection of the harshness of life but it also gives us hope.
He shows us the invisible, as he knows more than anyone how to transcend all possible worlds.
How can we not be deeply moved by the poetry which emerges from his vision of architecture and nature at the château de Vaux-le-Vicomte? He truly portrays eternity.
An absolute aesthetic with the high cliffs in Normandy expressing all the purity of the stratified shades and the fragility of time.
His creation is intense, profound and unique, taking on its full meaning at Les Martins, a place to live and to revitalize.
David Caméo
Director general
Musée des Arts Décoratifs
Paris, 2018
For him, the gnarled vine emerging from the nourishing earth becomes the reflection of the harshness of life but it also gives us hope.
He shows us the invisible, as he knows more than anyone how to transcend all possible worlds.
How can we not be deeply moved by the poetry which emerges from his vision of architecture and nature at the château de Vaux-le-Vicomte? He truly portrays eternity.
An absolute aesthetic with the high cliffs in Normandy expressing all the purity of the stratified shades and the fragility of time.
His creation is intense, profound and unique, taking on its full meaning at Les Martins, a place to live and to revitalize.
David Caméo
Director general
Musée des Arts Décoratifs
Paris, 2018
Conversation en silence – Château de Vaux-le-Vicomte, France 2014
Series of wet plates collodion as pigment prints on cotton paper
Ceps – The rooting of time, 2018
Calon Segur Vine stocks, Haut-Médoc
Series of 10 collodion wet plates – ferrotypes
Series of 10 collodion wet plates – ferrotypes
Ceps – The rooting of time, 2018
Acrylic, oil, charcoal, mixed media over photograph mounted on board
Terme du Bélier, L´Eté, Le Printemps – Conversation in silence
Vaux-le-Vicomte, France 2014
Wet plates collodion as pigment prints on cotton paper
Wet plates collodion as pigment prints on cotton paper
L´Allée des Platanes – Conversation in silence
Vaux-le-Vicomte, France 2014
Wet plates collodion as pigment prints on cotton paper
Wet plates collodion as pigment prints on cotton paper
3 plates, Conversation in silence – Vaux-le-Vicomte, France 2014
Wet plates collodion as pigment prints on cotton paper
Terme du Bélier, L´Eté, Le Printemps – Conversation en silence
Vaux-le-Vicomte, 2014
Wet plates collodion as pigment prints on cotton paper
Wet plates collodion as pigment prints on cotton paper
 l´Harmonie somptueuse du Château, Le Jardin à la Française
, Vue du Jardin
– Conversation en silence
Vaux-le-Vicomte, 2014
Wet plates collodion as pigment prints on cotton paper
Wet plates collodion as pigment prints on cotton paper
Edge of Silence – Falaise, 2013
Haute-Normandie
2 color photographs
2 color photographs
Entrance and exit of the expo Jörg Bräuer – Sculpteur du temps
